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Netflix, Inc. ist ein US-amerikanisches Medienunternehmen, das sich mit dem kostenpflichtigen Streaming und der Produktion von Filmen und Serien beschäftigt. Romantic dramas, funny comedies, scary horror stories, action-packed thrillers – these movies and TV shows in Italian have something for fans of all genres. Comedy Movies. Funny comes in many forms. Romantic comedies, action comedies, black comedies -- we've got all the best movies that will tickle your funny. Romantic dramas, funny comedies, scary horror stories, action-packed thrillers – these movies and TV shows in Mandarin have something for fans of all genres. May 25, - A list of movies to watch in Netflix. Choose from one of these categories: Drama Movies, Family Movies, Romance, and tv series. • Ever wonder.
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The eponymous Basterds are a group of Jewish-American commandos led by Lieutenant Aldo Raine Brad Pitt who wage a guerrilla war in Nazi-occupied France, eventually teaming up with British intelligence to plan an attack on Hitler himself.
As in The Wicker Man , Apostle follows a man coming to a remote island in search of a missing person, only to find a cult that is up to something sinister.
Apostle begins in , when Thomas Richardson Dan Stevens heads to Erisden, a remote island community where his sister is being held hostage by a mysterious cult.
Thomas pretends to be a new initiate and sets about exploring the island, looking for clues as to where his sister might be. His investigation takes some strange turns, as he learns more about the cult, and the sacrifices they are willing to make.
Although Apostle starts out calm, it quickly becomes a frenetic movie, reveling in gore and violence.
This is a horror movie that throws all restraint to the wind. The Witch is a singular star-making achievement that captured the attitudes and spiritual paranoia of Puritan New England to create a remarkably old-fashioned vision of horror.
Set in the 17th century, the film begins as William Ralph Ineson , due to a disagreement over theology, is cast out from his township, along with his family.
One day while Thomasin is watching Samuel, something snatches the baby, taking it into the woods. As the family struggles with its hardscrabble existence, the evil in the woods stretches out, threatening to consume them.
The Witch is an effective horror story, tense and heavy on atmosphere, and its commitment to historical authenticity gives it a distinct aesthetic.
The protagonist is a man named Bonin Marc-Andre Grondin , who wanders the countryside, finding other survivors and slaying zombies.
As the group grows, the film gives each character proper development, so they feel fully-fleshed out, unlike the stock survivors of many a zombie film.
While the film has its gory moments, Ravenous frequently employs an atmosphere of dread built through uncanny imagery, such as when the zombies congregate before a shrine made of furniture.
Uncut Gems is not for the faint-hearted. Howard Ratner Adam Sandler is a charismatic New York City jeweler who is always on the lookout for the next big score.
Unfortunately, not everyone in his life is willing to wait for that windfall. Howard has to perform a precarious balancing act between business, family, debt collectors, and more to get the payoff.
At the tail end of a long, unsuccessful tour, they get an unexpected booking at a skeevy club deep in the backwoods of Oregon. Needing anything they can get, they take the gig.
However, when they accidentally witness an act of brutal violence backstage, they end up having to square off against the depraved club owner, Darcy Banker Patrick Stewart , who will do anything to protect his business and his security.
Green Room is dark, suspenseful, and sadistic in all the best ways thrillers should be and features remarkable performances from its stars, including the late Anton Yelchin in his final role before his tragic death.
Set in the aftermath of the Spanish Civil War, the film follows an imaginative young girl who also may just be a princess of an underground kingdom.
Cast aside by her cruel, militaristic stepfather and isolated from her mother, Ofelia Ivana Baquero entertains herself on the grounds of their home in the Spanish countryside.
When she stumbles upon a stone labyrinth presided over by a suspicious faun named Pan Doug Jones , she is asked to complete three life-threatening tasks to prove she is the mythical princess, returned to reclaim her kingdom.
Married couple Jessie Carla Gugino and Gerald Burlingame Bruce Greenwood , hoping to reignite their passion, take a vacation to a remote lake house.
Gerald wants to experiment with bondage, handcuffing Jessie to the bed, but after an argument, he dies of a heart attack, leaving Jessie bound with no help nearby.
As dehydration and shock set in, Jessie struggles to escape. As the nights pass, the house becomes creepy in some unnatural ways as well, and Lily discovers she may not be alone with Iris.
I Am the Pretty Thing That Lives in the House moves at a deliberate some might say glacial pace, but it uses every second to great effect, creating an atmosphere of steadily approaching doom.
The reunion brings up bad memories for Will, and the night takes a darker turn as Eden and David, along with some of their new friends introduce the guests to the Invitation, a group they formed to get over grief.
The Invitation is a taut thriller, and once the tension sets in, it never lets up. Dating is stressful enough in a world of apps and algorithms designed to reduce humans to their crucial data points.
What if you had the added pressure of knowing that, if you spend too much time single, society will deem you unfit and transform you into an animal?
After his wife divorces him, David Colin Farrell goes to a retreat where single people can mingle and hopefully find a partner, lest they be turned into an animal of their own choosing, to be fair.
As David skitters from prospect to prospect in search of a lover, he must adopt an increasingly performative persona.
The Lobster conjures a bleak dating dystopia, where all the awkward rituals of dating are pushed to soul-shredding extremes, but it still manages to be funny, albeit in a pitch-black way.
From Korean director Bong Joon-ho Parasite , this Netflix original follows Mija Seo Hyun , a young South Korean girl who, for ten years, has served as caretaker and companion to Okja, a massive, pig-like animal.
Mija sets off on an adventure across the planet to save her best friend, crossing paths with capitalists, protesters, and consumers, each with their own agendas for Okja.
Okja paints a grim, provocative portrait of capitalism and consumerism at its absolute worst. In a country ruled by a fascist cabal, all information is regulated by the government, and the police maintain an iron grip on all aspects of life.
When Evey Natalie Portman , an employee for the state television network, is rescued from an assault by a masked man known only as V Hugo Weaving , she is drawn into his campaign to overthrow the government.
Can violent methods produce a better world, post-revolution? Excellent choreography and bold set design make V for Vendetta an exciting, if melodramatic, thriller on Netflix right now.
Her — written and directed by Spike Jonze Being John Malkovich , Adaptation — establishes its themes early, as Theodore Twombly Joaquin Phoenix narrates a letter to a spouse, but despite the cracks in his voice as he reads, the scene unveils the truth: Theodore works for a company that ghostwrites personal letters for people, the words spilling out of his mouth are artificial, written on behalf of a customer.
Theodore is reeling from the collapse of his marriage, and to get his life in order he buys the latest model of artificial intelligence assistants.
Samantha Scarlett Johansson , as his AI calls herself, proves a charming companion, and despite the fact that she exists only as a voice on his phone, the two fall in love.
Her is a remarkable film, with gorgeous cinematography, sterling performances, and a story as thought-provoking as it is emotive. A popular director seeks out Maria, asking her to star in his new production of the play, this time as the older woman, Helena.
Clouds of Sils Maria is a complex, meditative drama, one that finds Binoche at the top of her game. Sing to me, muse, of the tragic tale of Fyre Festival.
The brainchild of tech entrepreneur Billy McFarland and rapper Ja Rule, Frye Festival was supposed to be a lush music festival on a beautiful island in the Bahamas, with guests paying steep prices to fly down there and enjoy it all.
In reality, the festival turned out to be a dumpster fire, with attendees arriving to find emergency tents, disgusting food, and neither sufficient supplies, nor even the bands scheduled to headline.
Fyre delves into the mystery of how this much-hyped event went so catastrophically off the rails, making heavy use of interviews with the people hired to help get it up and running.
Beautiful music, breathtaking animation, consistent laughs, and a story that will inspire you and put you in tears. Tiana voiced by Anika Noni Rose is a waitress in s New Orleans who dreams of opening her own restaurant to share her cooking with the world.
However, when she stumbles across a frog prince desperate to be turned back into a human, her giving nature gets the best of her and she gives the frog a kiss.
Springsteen on Broadway is a sparse one-man for the most part show, with the Boss playing stripped-down acoustic guitar and piano versions of his songs, interspersing them with monologues about his childhood in New Jersey, his ceaseless quest to run away from the dead-end town of his youth, and his father, the man he frames as both his foe and the inspiration for his working-class persona.
Scotland, the opening narration of The Tigers of Scotland intones, is a place of rich culture, and spectacular, natural beauty.
The Tigers of Scotland explores the nature of these rare beasts, the challenges that face them, and the last-ditch efforts to preserve their existence.
The film uses interviews with various experts, and Iain Glen Game of Thrones provides measured narration. In an age of micro jobs and ever-shifting opportunities, it can be hard to imagine working in the same position for decades.
Yet that is what sushi chef Jiro Ono has done; having run his own restaurant in Tokyo since , Jiro is one of the most accomplished chefs in Japanese history, the first sushi chef to attain three Michelin stars.
In an act of journalistic serendipity, Fogel meets a Russian doctor, Grigory Rodchenkov, who leads Fogel to a far bigger story: A Russian, state-sponsored doping program which could cast doubt on the validity of international sports.
The story behind Icarus is interesting enough to recommend it; despite some occasional bloat, it is essentially a real-life political thriller.
The film follows two disparate stories: That of a group of refugees crossing the sea to Lampedusa, and that of the islanders, including a young boy named Samuele.
Johnson explores, ostensibly, a death. Johnson, a self-identified drag queen and pillar of LGBT activism, died in Her body was found floating in the Hudson River, and police ruled the death a suicide, a story many who knew Johnson doubted.
A lazier filmmaker might merely have put them back together to play their greatest hits. Scorsese does something far trickier, and more poignant: He takes all the elements we expect in a Scorsese gangster movie with this cast, and then he strips it all down, turning this story of turf wars, union battles and power struggles into a chamber piece of quiet conversations and moral contemplation.
Their shifting of priorities and geographic preferences prompts the hiring of lawyers, the spending of savings, and the stating of old resentments and regrets better left unsaid.
The scenes are occasionally stressful, often heart-wrenching, and they unfailingly burst with life and emotion. Laura Linney is passive-aggressive perfection as his mother, while Jeff Daniels, as the father, masterfully captures a specific type of sneeringly dissatisfied Brooklyn intellectual.
The fashion designer turned filmmaker Tom Ford made his feature directorial debut with this moving, melancholy and, unsurprisingly, aesthetically stunning adaptation of the novel by Christopher Isherwood.
A Puritan family, banished to the woods of New England by its community, encounters a frightening force of true evil in this potent mixture of art-house drama and supernatural thriller from the writer and director Robert Eggers.
Resisting jump-scares and cheap thrills in favor of slow burns and discomforting dread, Eggers builds his story to a climax that seems both terrifying and inevitable.
Hanks plays an H. Sofia Coppola takes on conspicuous consumption, Millennial malaise, and upper-class entitlement in this darkly funny and stylishly thought-provoking true story adapted from a Vanity Fair article by Nancy Joe Sales.
Coppola refuses to condemn their crimes or apologize for them; it is, A. Brie Larson won an Oscar for her powerful leading performance in this moving adaptation of the novel by Emma Donoghue, in which a woman held for years in captivity tries to escape from her kidnapper with the help of her young son.
Kathryn Hahn and Paul Giamatti shine as two New York creative types whose attempts to start a family — by adoption, by fertilization, by whatever it takes — test the mettle of their relationships and sanity.
The wise script by the director Tamara Jenkins is not only funny and truthful but also sharply tuned to their specific world: Few films have better captured the very public nature of marital trouble in New York, when every meltdown is interrupted by passers-by and looky-loos.
A year-old Georgian woman shocks her family, and her entire community, when she decides to move out of the cramped apartment she shares with her husband, children and parents in order to begin a life of her own.
Jennifer Lawrence won the Oscar for best actress for her spectacularly sassy and unapologetically haunted performance in David O.
Director Barry Jenkins adapting a play by Tarell Alvin McCraney creates a world so dense with detail and rich with humanity that every character gets a chance to shine; the themes and ideas are all above board, but conveyed with subtlety and understatement.
The director Malik Bendjelloul tells the fascinating story of Rodriguez , a Mexican-American singer-songwriter who recorded one brilliant album in and watched it sink without a trace, only to resurface years later as a cult smash in South Africa.
Love music documentaries? The British comedy troupe Monty Python created its funniest, wildest and cult-friendliest feature-length comedy with this send-up of the legend of King Arthur — and of medieval literature in general, and of big-screen epics.
Graham Chapman is the ostensible lead as Arthur, leading his Knights of the Round Table on a quest for the Grail, but the plot is merely a clothesline on which to hang blackout sketches and self-aware gags, and there are many.
This unsettling, unforgettable snapshot of urban decay and toxic masculinity from Martin Scorsese hauntingly captured the rotting core of post-Watergate American society when it was released in , and it has remained nestled in our collective unconscious ever since.
Robert De Niro had one of his most indelible performances as Travis Bickle, the haunted Vietnam vet who drives New York City at night like a coiled snake ready to strike.
The fates of two families — one white and one black, connected by a plot of land one owns and the other sharecrops — are inextricably intertwined in this powerful adaptation by the director Dee Rees of the novel by Hillary Jordan.
Rees gracefully tells both stories and the larger tale of postwar America without veering into didacticism, and her ensemble cast brings every moment of text and subtext into sharp focus.
Its big action set pieces have been imitated to death, but rarely with the visceral energy and giddy enthusiasm brought by the Wachowskis, two independent filmmakers who were given the tools and budget of a big studio picture and had an absolute blast.
A marvelously absurd, stingingly satirical and unexpectedly moving story of a girl and her genetically engineered super-pig, this Netflix original from the director Bong Joon Ho is the kind of movie that goes in so many wild directions at once — urban mayhem one moment, character drama the next — it leaves you breathlessly off-balance.
Bong coaxes game and unpredictable performances from his gloriously unhinged cast, with particularly juicy turns by Tilda Swinton and Jake Gyllenhaal.
Bong juggles delight and didacticism with exquisite grace. Riffing on the Saturday afternoon serials that thrilled them as children, director Spielberg and producer George Lucas packed a full series of heroes, villains, cliffhangers and fisticuffs into a single crowd-pleasing feature.
The latest from Joel and Ethan Coen is an anthology film set in the Old West, a series of tales of varying length and style, some as brief and simple as jokes, others with the richness and depth of a great short story.
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